Jim Allen

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Listening to "All in Due Time" is a little like watching a universe being born, as it evolves from the first furtive, jittery signs of life and gradually expands into a hurtling, multivalent ecosystem all its own. And for its creators, it does indeed represent the construction of a new realm on a number of levels.

First comes the groove — that sexy, stormy, stop-time feel that still sounds as arresting in the right hands today as it did when blues giant Elmore James originated it on the aptly named Fire Records in 1960. Then, amid snarling slide guitar licks, Tom Jones comes barreling in, 10 times as big as life and preternaturally soulful, commanding attention to the point that it would be impossible to imagine ignoring his remorseful roar.

On November 23, 2016, just a week after an election that left much of the nation in a state of shock, veteran Omaha singer-songwriter Simon Joyner came to New York to play at Carnegie Hall for the first time. He was opening for longtime friend Conor Oberst, who has always cited Joyner as a primary influence. Joyner had just finished a song about the election, and he was eager to unveil it.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released.

David Crosby is on a roll. After a gap of more than two decades in his solo discography, he has now made three solo albums in less than four years. "Sell Me A Diamond," from his latest album Sky Trails, shows the kind of lyrical firepower keeping Crosby so prolific these days.

Stephen Stills and Judy Collins' duo album, Everybody Knows, marks the long-deferred continuation of a story that started nearly half a century ago. But the title track brings closure to a musical relationship that goes even farther back.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


Though its title is taken from the Old English term for "the sound of winter," much of James Elkington's solo debut bears a distinctly autumnal vibe. With a feel that harks back to the British singer/songwriters of the early '70s, Wintres Woma ultimately seems to capture the slow seasonal slide from fall's gentle unbuttoning into an icier, more frigid landscape.

For a guy with a luminous past, Glenn Morrow sounds firmly fixated on the future on this tune from his first album in 28 years. In the '80s, Morrow was at the epicenter of the Hoboken indie scene that spawned the likes of The Feelies, The Bongos and Yo La Tengo. He fronted local linchpins The Individuals and had played in 'a,' the band that evolved into The Bongos and basically laid the groundwork for the whole Hoboken movement.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

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