Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

Transcript

ARI SHAPIRO, HOST:

More and more, I eschew end-of-year best-of lists for the simple reason that they're arbitrary and imply a comprehensiveness on which they can never deliver. What works for me is to compile a list that reflects some of the enormous gratitude I feel for getting to enjoy other people's work and art — one that doesn't even pretend to define what is best, but simply to share some of the abundant good stuff I run into.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

ARI SHAPIRO, HOST:

The hard numbers on Sunday night's Primetime Emmy Awards told a story that could look a little dull to the glancing eye.

This is one in a series of essays running last week and this week about the state of television in 2015. The series is based on developments at the recent Television Critics Association press tour in Beverly Hills, Calif., where broadcast and cable networks, along with streaming services like Netflix, presented new and existing shows to TV critics and reporters. The entire series is available here.

This is one in a series of essays running last week and this week about the state of television in 2015. The series is based on developments at the recent Television Critics Association press tour in Beverly Hills, Calif., where broadcast and cable networks, along with streaming services like Netflix, presented new and existing shows to TV critics and reporters. The entire series is available here.

A few days into our essay series on the state of television in the summer of 2015, I sat down with Audie Cornish on All Things Considered to get a few of the basics down. We talked about the sheer volume of scripted shows, the struggles of networks to get attention for what's great, and all the ways you can get television into your eyes and ears.

This is one in a series of essays running this week and next about the state of television in 2015. The series is based on developments at the recent Television Critics Association press tour in Beverly Hills, Calif., where broadcast and cable networks, along with streaming services like Netflix, presented new and existing shows to TV critics and reporters.

This is one in a series of essays running this week and next about the state of television in 2015. The series is based on developments at the recent Television Critics Association press tour in Beverly Hills, Calif., where broadcast and cable networks, along with streaming services like Netflix, presented new and existing shows to TV critics and reporters.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

ARUN RATH, HOST:

Most of the panel discussions that happen at the Television Critics Association press tour currently underway in Beverly Hills have something critical in common: the panelists are humans. (Please hold your jokes about Hollywood. The critics in attendance have made them all.)

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

AUDIE CORNISH, HOST:

You may have heard that Jurassic World made more than $500 million worldwide in its opening weekend. That's $500 million, 5-0-0. Its nearly $209 million weekend in the U.S. alone makes it the highest-grossing U.S. opening weekend ever. That's ever, e-ver.

So how's the movie? It's fine. Does it justify having had the biggest domestic box-office opening weekend of all time? That's a pretty tall order for a pretty medium-sized movie, creatively speaking.

[This discussion of the Mad Men finale gives away all kinds of information about the Mad Men finale, so if you don't want to know things about it, please stop reading.]

The hippies were probably inevitable.

[Note: Listen to the audio above to hear a conversation I had with Pop Culture Happy Hour team member Stephen Thompson about the end of the show.]

Ahead of its fall programming presentation to advertisers in the afternoon, Fox announced Monday that the 15th season of American Idol, which will begin in January 2016, will be the last.

["Spoiler" alert: This review of the season premiere of Mad Men discusses the season premiere of Mad Men.]

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

(SOUNDBITE OF FILM, "THE BREAKFAST CLUB")

ANTHONY MICHAEL HALL: (As Brian Johnson) You see us as a brain, an athlete, a basket case, a princess and a criminal.

AUDIE CORNISH, HOST:

Recent reports were officially confirmed today — the upcoming sixth season will be the last for the very successful drama Downton Abbey, according to an announcement Thursday from Carnival Films and Masterpiece. Executive producer Gareth Neame had this to say:

Everything old really is new again. Even aliens.

Fox announced today that The X-Files, which ran on television from 1993 until 2002 and was accompanied by feature films in 1998 and 2008, will be back as a six-episode "event series," with production beginning this summer. Creator and Executive Producer Chris Carter will be in charge once again, and yes, Mulder (David Duchovny) and Scully (Gillian Anderson) will be, too.

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