Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

It's hard to believe that not only was there no Serial six months ago, there was no Serial three months ago. The hugely popular podcast, a spinoff production of This American Life, didn't even premiere until early October, but since then, it has made its way with great speed into worlds from Sesame Street to Funny Or Die.

As The Conversation About Serial reaches a fever pitch in certain circles, those of us behind Code Switch and Monkey See have been talking quite a bit about the show.

It was an announcement of an old-school job that played out in a new media landscape: Yesterday, Variety reported that Neil Patrick Harris would host the Oscars, which they tweeted at 4:49 P.M. Harris himself tweeted a little video of himself crossing "Host the Oscars" off his bucket list — also at 4:49 P.M. Then finally, an interminable 26 minutes later, we got the press release from the Academy that announced with excitement that Neil Patrick Harris would host the Oscars in 2015.

HBO has built a robust and popular online presence over the past couple of years with its app, HBO GO. But to get it — as is the case with many streaming services that offer television over the Internet — you've needed a cable subscription. In other words, HBO GO was an add-on for people who already had HBO, not an alternative way of getting shows for people who didn't.

We've had a lively summer on PCHH, full of live events and quizzes and special guests and even Stephen hosting episodes (!) (kidding!), but this week, we've got our pal Bob Mondello in the studio for some good old-fashioned movie and TV chatter.

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ROBERT SIEGEL, HOST:

[Note: The audio above is a conversation about the Emmy Awards I had today with Stephen Thompson, my co-panelist on NPR's Pop Culture Happy Hour podcast.]

The Emmys are known for one thing more than any other, and that's repetition. Shows winning four times, actors winning three times — the most likely Emmy winner is always the guy who's already won.

Sure, some of the coverage so far has been about the fear that holding the Emmys on a Monday — and forcing the attendees to compete with weekday traffic — will create havoc. But one way or another, Seth Meyers is hosting the Emmy Awards on Monday night, and there are a few races that will be interesting to watch.

Sunday night, women gave the most memorable performance at the MTV Video Music Awards, and Stephen Thompson and I got together to chat about the provocations of Nicki Minaj, the royal Beyonce and more.

You can check out the video of all the performances for yourself, from the triple threat of Ariana Grande, Jessie J and Nicki Minaj to the 16-minute Beyonce-stravaganza that closed the show.

It is never not awkward to talk about a film after one of the stars has died. That's perhaps never any more true than it is in the case of Brick Mansions, one of the last films of Paul Walker. Walker died in November of last year after a career that included a lot of movies like this one: silly, hyper action thrillers that often included, as this one does, moments in which everybody in the theater chortled at their insane, cartoonish brutality.

Transcript

WADE GOODWYN, HOST:

Twenty-five years ago, Lloyd Dobler raised a boombox over his head and changed the world of movie boyfriends forever.

(SOUNDBITE OF SONG, "IN YOUR EYES")

PETER GABRIEL: (Singing) All my instincts, they return...

GOODWYN: Linda Holmes, of our pop culture blog "Monkey See," was a teenager when she first saw the film "Say Anything..." She says all these years later, she has a new appreciation of it.

Imagine a scene in which a man is sitting on a park bench reading a book. A woman comes up and sits beside him. He looks up at her. She hands him a letter. "It's over," she says.

Many of the more interesting shows on television have their little peculiarities: Community has Dan Harmon going on for thousands of words at a time about his feelings, Game of Thrones has fretting over the pace of the show versus the books, and Mad Men has creator Matthew Weiner coming out ahead of every season and giving a bunch of interviews to promote it in which he doesn't say anything about it.

The big winner was 12 Years a Slave, but there was quite a bit of love to go around at Sunday night's Oscars. What there wasn't, as usual, was a lot of riveting television.

Sure, there was John Travolta squinting at the teleprompter and introducing Idina Menzel (to sing the Oscar-winning Best Original Song "Let It Go," from Frozen) as — no kidding — "Adele Dazeem." And there was a fun dance number featuring Pharrell Williams and his own Oscar-nominated "Happy," which he wore a formal black version of his Grammys hat to perform.

Oh, Lady Edith

Feb 24, 2014

[This piece contains information about the plot of Downton Abbey, up to and including Sunday night's fourth-season finale.]

Another season of Downton Abbey has come to a close, and once again, Lady Edith is unlucky. Unlucky in love, unlucky in life. She's unluckier than Bates, and he went to jail for something he didn't do, for what certainly felt like a really, really long time. She's unluckier than Matthew, and he's quite deceased.

It's been 50 years since The Beatles first appeared on Ed Sullivan, to an audience of screaming, hair-pulling, ecstatic (in the classic sense) teenage girls. Cutes in suits, you might call them, like (and, of course, nothing like) countless other bands of the time that wore skinny ties and shared microphones and said "oh" and "yeah" and "baby."

Well, it's safe to say we're shocked — shocked — to find that Oscar campaigning was going on in here.

Tuesday night, the Academy Of Motion Picture Arts And Sciences — the Oscars people — rescinded the Best Original Song nomination for "Alone Yet Not Alone," from the movie Alone Yet Not Alone.

Much will be said and has been said about Pete Seeger, who died Monday at 94, as an activist and musician. Blacklisted, tireless, stubborn, and funny, he wrote a lot of songs that seem to have simply always existed: "Where Have All The Flowers Gone?", "If I Had A Hammer," "Turn, Turn, Turn."

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