Marissa Lorusso

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Updated at 9:40 p.m. ET

Like U2, Ed Sheeran has also canceled his concert in St. Louis because of safety concerns.

The cancellations follow protests in the city prompted by the acquittal of a former police officer, who had been charged with first-degree murder in the fatal shooting of a black man.

Those of us who fell in love with her debut album, Sprained Ankle, have been hungering for more of Julien Baker's sparse, confessional songs — brutally honest and cripplingly insecure, self-deprecating but laced with just enough hope to keep you hanging on — since the album's 2015 release (only briefly sated by the release of "Funeral Pyre," a one-off single, in January).

In talking about her new album, Rainbow, Kesha describes making the impossible possible with boundless optimism — like ending up with collaborators from her "wildest of dreams," from the kinds of secret aspirations you're too scared to say aloud. (This includes a duet with Dolly Parton, guitar solos from Eagles Of Death Metal and a horn section courtesy of the Dap-Kings).

"I know it's wrong, but I can't stop," Katie Von Schleicher groans in "Midsummer." Her album S***** Hits is full of such self-deprecating admissions; it's an album about looking out from inside your own delusions and bad habits, begging yourself to do better.

SOAR, a Bay Area band composed of musicians who had previously sang and performed in their own bands, was born of a desire to make something more collaborative. Featuring members of Joyride, Watercolor Paintings, Void Boys and Dreamspoiler, SOAR's sound collects the best elements of each.

Brisbane, Australia is sometimes derided as "Brisvegas," a crack at the city's supposed lack of sophistication. But Australian musician Harriette Pilbeam might disagree that her home city lacks culture: She has spent the past few years honing her power-pop chops in the bands Babaganouj and Go Violets, part of Brisbane's not-insubstantial indie-rock scene.

There's a lot of heart in every project Maryn Jones touches. Her lyrics – which evince struggles with self-doubt and depression, and a penchant for self-reliance – are graceful and introspective. And her voice is powerfully expressive, whether combined with the muscular, fuzzy guitars of All Dogs – the indie punk band she fronts — or providing delicate harmonies for Saintseneca, the folk-rock group of which she's a member.

As Soccer Mommy, Sophie Allison makes sweet bedroom-pop songs built from deep introspection. Allison, a Nashville native and current NYU student, tends to write straight into the heart of the confusing space between adolescence and adulthood. As a result, Soccer Mommy's songs are deeply affecting snapshots of being young in a looming city and trying to find your footing.

Note: NPR's First Listen audio comes down after the album is released.

Palm does not write music for passive listening. Out of jagged edges and complex, interlocking pieces, the Philadelphia quartet makes off-kilter art rock that demands — and rewards — your full attention. Guitarists and singers Eve Alpert and Kasra Kurt write deeply intertwined melodies that seem to bounce off each other with razor-sharp precision; Gerasimos Livitanos' twitchy, punctuated bass lines mesh with Hugo Stanley's hectic, forceful drumming. The overall effect of cohesion is transfixing.

Brooklyn-based songwriter Gabrielle Smith has decided to change the name of her band, Eskimeaux, following criticism from Canadian Inuk throat singer Tanya Tagaq. The band will now be known as Ó.

I am usually one to avoid bands with jokey names, but Cende snuck in with pretty, emo-tinged power pop before I could roll my eyes.

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