Stephen Thompson

For nearly 20 years, Little Big Town's members have plugged away through label troubles, divorces and the death of loved ones, but they've never endured a lineup change.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

My Twitter feed is still roiling. As I write this, it's been mere moments since my friends and colleagues (and a few assorted celebrities) started taking a break from praising the 2017 Grammys' most vital and viral performances — A Tribe Called Quest, Beyoncé, The Time, a bonkers Lady Gaga-Metallica mashup — to fume about Adele's sweep of the night's top three prizes.

Like many awards shows, the Grammys are about more than just honoring artistic achievement: They're also about anointing ambassadors for a music industry that's forced to evolve as quickly and constantly as trends and technology mandate. Of course, the awards also attempt to represent dozens of far-flung genres, from traditional pop to EDM to country to jazz to Latin music to classical to rap and beyond.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


When Uncle Tupelo splintered into two bands back in 1994, both offshoots seemed primed for more or less equal success. After all, Uncle Tupelo had always balanced two distinct singing and songwriting voices, and both were held in similarly high esteem at the time.

February isn't exactly the best month, what with all the cold weather, limited daylight, copious awards shows, New England Patriots Super Bowl victories, and Valentine's Day. So you'd be forgiven for thinking, "The only thing that could truly articulate my pain is a band in which puppets sport eyeliner and sing a song called "I Am Sad And So Am I."

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

In a career that spans more than 20 years, Spoon has perfected a kind of ruthlessly airtight efficiency: Every few years, the Austin band returns with a new batch of perfectly compact three-minute pop-rock songs. As consistent as it is beloved, Spoon never fails to hit its mark — delivered forcefully, and with hooks for days.

"Restless" is one of 2017's first great songs: a dreamy, sweetly throbbing electro-pop jam with a warmly soaring, heartfelt vocal at its core. The latest single from darkDARK, a production duo based in LA and Austin, the track features some of the best ingredients around, from charming analog synths to the relentlessly pleasing voice of Haley Bonar.

You'd be forgiven for viewing nominations for the 59th Grammy Awards, announced Tuesday morning, as a battle between two powerhouse singers: Beyoncé, whose Lemonade leads the field with nine, and Adele, whose 25 has been a sales juggernaut since its release late last year.

Note: NPR's First Listen audio comes down after the album is released.

Note: NPR's First Listen audio comes down after the album is released.


For nearly 20 years, guitarist, singer and label head John Dwyer has followed an incredibly circuitous creative path: Charting the course of just one of his bands involves breaking down a discography that includes records by Orinoka Crash Suite, OCS, Orange County Sound, The Ohsees, The Oh Sees and, now, Thee Oh Sees. (This says nothing of his work with other groups around San Francisco, most notably Coachwhips.)

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.

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