Marcos Valle wasn't identified with Brazil's influential Tropicalia movement during the 1960s and 1970s. But, like his peers Caetano Veloso and Gilberto Gil, he made ambitious and subversive pop music during those years, mixing American soul and rock with samba, bossa nova and other Brazilian styles.
Originally published on Mon February 4, 2013 1:43 pm
Yesterday, pianist Sara Davis Buechner published on the New York Times website a brave and moving account of her experiences as a transgendered person. "As David Buechner, born in the northwest suburbs of Baltimore in 1959," she writes, "I became an internationally known concert pianist. But from the time I was a child, I understood that I was meant to be Sara."
Originally published on Fri February 1, 2013 5:57 am
David Virelles moved to New York in 2009 — and, following in a long line of Cuban-born pianists before him, quickly found himself in several bands led by elite jazz musicians. But Virelles also moved to study composition with iconoclast Henry Threadgill, and what he's come up with as a bandleader extends beyond music.
Originally published on Fri February 1, 2013 9:16 am
Few pianists have been as influential to modern jazz practice as McCoy Tyner. His harmonic and rhythmic conceptions, notably displayed as a member of John Coltrane's "classic" quartet, are instantly recognizable. And at age 74, you can still hear his driving left hand and dense chordal suggestions in fine form.
Originally published on Mon January 28, 2013 3:21 pm
The Paris-based Quatuor Ebene — the "Ebony Quartet" — has risen fast in the musical world with two separate artistic identities. In recent years, audiences have gotten to know the "other" Ebenes — the sophisticated cover band that plays everything from "Miserlou" (the Pulp Fiction theme) to jazz to "Someday My Prince Will Come" (yes, the one from Disney's Snow White).