Bob Boilen

It was Take Our Daughters And Sons To Work Day when this somewhat loud and sometimes frenetic band came to play at my desk. I couldn't help but wonder if The Messthetics would inspire some eight-year old child in the office to one day become a musician, one who'd go on tell the tale of seeing these D.C. legends at an office when they were a kid.

Your Favorite New Artists Of 2018 (So Far)

Jun 19, 2018

Death Cab For Cutie is back with some pretty great new music. The band has just announced that a new album is on the way called Thank You for Today. And in this special episode of All Songs Considered, singer Ben Gibbard shares and talks about the first single, "Gold Rush."

When 14-year-old Grace VanderWaal came to perform at the Tiny Desk I had to confess to her (and her mom) that, until my "accidental concert experience," I had no idea who she was, nor did I know what America's Got Talent was.

It all started this past February, when I went to the 9:30 Club, a 1,200 capacity music venue, to see what I thought was a show by rock guitarist Grace Vonderkuhn and her power trio from Delaware.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Singer Meg Myers' exasperation with her former record label birthed the song "Numb." She wrote me to say that the song "is about how I was feeling when my (former) record company was looking for something out of me that just didn't feel right for many reasons. I was frustrated and it came through in this song."

This is an unusual, beautiful and dark album curated by — and at times performed by — the Danish musician Agnes Obel. It's part of a series of artist-curated albums called Late Night Tales. Nils Frahm, The Flaming Lips, Jon Hopkins and others have put their own records together for the series in the past.

Parquet Courts' fifth album, Wide Awake! is a turning point for the band. The four guys based in New York made conscious attempts to push their music out of their habitual tendencies toward aggressive rock and wound up with their most interesting record to date, with the help of producer Brian Burton (Danger Mouse).

It was daylight but the music was dark and moody. And despite having the office lights turned on high, it was Khruangbin's trance-inducing tone that set the mood and carried me away.

I remember feeling absolutely free. I recall the sensation of joy.

I first saw Glenn Branca at the 9:30 Club in Washington, D.C. in 1982. I came away from that concert wondering how it was that I, having spent so much of my life listening to music, had simply never thought about music simply as noise, perhaps somewhat organized, to varying degrees, but noise nonetheless. Branca, who died this past Sunday, gave me what may have been the loudest noise I'd ever heard that night, give or take a jackhammer or a jet engine, familiar sounds from growing up in Queens, N.Y.

"These times are poignant / The winds have shifted / It's all we can do / To stay uplifted."

Those words are sung so powerfully by Rising Appalachia, the musical project of sisters Leah Song and Chloe Smith. This uplifting, original folk song for these challenging times is called "Resilient."

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