Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Longtime NPR fans may remember another contribution Boilen made to NPR. He composed the original theme music for NPR's Talk of the Nation.

Before Rubblebucket played its Tiny Desk Concert, its members asked if they could bring a confetti cannon. And, though I said no — dear coworkers, I really do care about you — the band still brought a fun mix of brass and brash to the Tiny Desk.

Searching for Christmas music you've never heard before? Well, Mitchell Kezin is a collector of what he calls "Christmas orphans," those Christmas songs hardly played and mostly unknown. After being a closet collector of Christmas music for years, now he's directed a documentary about obsessive crate-diggers who specialize in rare Christmas music.

She came to the Tiny Desk a little unsure, and left singing "West Memphis" with intensity and passion. Lucinda Williams has a voice like no other, and it shines in these intimate moments.

Williams is on a roll with a new double album, Down Where The Spirit Meets The Bone, which is filled with fresh and beautiful songs — all this from a songwriter known for working at a deliberate pace. Hearing her perform these new songs with her brilliant band was a rare and exciting treat.

In the summer of 1971, I was a camp counselor at a sleep-away camp for a bunch of 5- to 7-year-olds. For those eight weeks, I walked home with about $50. I bought a guitar and began to learn the songs I'd come to love from the recently released Tea for the Tillerman by Cat Stevens.

"Father and Son" touched me most — it's a song about growing old, and about beliefs and conviction. More than 40 years later, that songwriter is performing at my desk with his son standing right behind me. You can never imagine the turns life will take.

Want to play a Tiny Desk Concert? Now's your chance: NPR Music and Lagunitas are holding a contest, and the winner gets to perform at my desk here at NPR headquarters in Washington, D.C.

Sam Amidon takes traditional music and makes it his own. He might begin with a traditional murder ballad and then morph it into something of his own, fueled by Bill Frisell's languidly atmospheric guitar, Shahzad Ismaily's minimal but essential percussion and Amidon's own yearning voice. At other times, Amidon weaves his own new tunes into worn, weary, seemingly ageless sagas.

The loudest guy in the world came to the Tiny Desk to perform some of his quietest music. Dinosaur Jr.'s J Mascis, for years a guy who's turned my ears red, showed up armed with just an acoustic guitar. I even had an amp for that guitar all lined up, but he decided to not plug in.

When it came out in February, I told friends that the Angel Olsen album Burn Your Fire For No Witness was my favorite of the year so far. Now, here in late October, my love for that record has only grown deeper. The songs are sullen at times, on fire at others. All are memorable. It's one of those perfect records.

Luluc, 'Small Window'

Oct 29, 2014

The folk duo Luluc's first album for Sub Pop was co-produced by the National's Aaron Dessner and will be released on July 15. More on this artist from the band's website.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Every fall, hundreds of bands migrate to New York City for the annual CMJ Music Marathon. Many of these groups are playing their first shows in NYC and for a lot of the audience — music journalists, college dj's and fans alike — it's their first taste of these young upstarts. My previous CMJ discoveries include such favorites as Courtney Barnett, Public Service Broadcasting, Foxygen, The Blow, Zola Jesus, Caveman ... the list is long.

Oh my god, they look so young! It was 1981 when this little Athens, Ga. based band started making a splash. Over the years that followed they made waves. This small trailer for a larger documentary about R.E.M. is a beautiful peek at innocence, youth, the '80s and MTV. The music television network (it used to be that) and R.E.M. grew up together. Much of what that band did was documented on MTV, including its break up in 2011.

Anthony D'Amato sings and writes in the tradition of Bruce Springsteen or Josh Ritter: His songs sound friendly musically, but they also tackle the difficult and the twisted. Like those great songwriters, D'Amato's work is universal without devolving into moping. There's also a spirit to these songs, as it's easy to imagine a crowd spontaneously backing these his powerful choruses.

Sometimes it helps to know where an artist is from. Geography can define a sound, but while Daniel Lanois is from Ontario, he might as well hail from Saturn. His new album, Flesh And Machine, defies categorization; it has no songs and no words, with voices used only to provide textures.

When he was 20, Ásgeir Trausti Einarsson released an album in Iceland, sung in Icelandic, with many of the words written by his father. Dýrð í dauðaþögn became the biggest-selling debut in Icelandic music history.

Pages