Robin Hilton

Robin Hilton is the producer and co-host for the popular NPR Music show All Songs Considered.

In addition to his work on All Songs, Hilton curates NPR Music's First Listen series, a weekly showcase of select albums you can read about and hear in their entirety before they're officially released.

Prior to joining NPR in 2000, Hilton co-founded Small Good Thing Productions, a non-profit production company for independent film, radio and music in Athens, GA.

Hilton lived and worked in Japan as an interpreter for the government, and taught English as a second language to junior high school students.

From 1989 to 1996, Hilton worked for NPR member stations KANU and WUGA as a senior producer and assistant news director and was a long-time contributing reporter to NPR's daily news programs All Things Considered and Morning Edition.

Hilton is also a multi-instrumentalist and composer. His original scores have appeared in work from National Geographic, Center Stage and in films, including the documentary Open Secret. Hilton also arranged and performed the theme for NPR's Weekend All Things Considered. You can hear more of his music here.

Along the way, Hilton worked as an emergency room orderly, a blackjack dealer and a fruitcake factory assembly lineman.

The season of list-making, specifically (for us) lists about the year's best music, is rapidly descending. But before the craziness begins over who had the best album or song in 2017, we thought we'd look back at some of our previous top-ten lists to see if they even hold up. As you can imagine, some albums we once thought were great have since lost their luster, while others haven't aged a day.

In a career spanning three decades, Beck has remained one of music's most intriguing shapeshifters. From the warped folk of his earliest recordings to the chopped-up samples, hip-hop beats and lush orchestral arrangements of albums that followed, Beck has never lingered in one sonic world for long.

Weezer has never quite made the same album twice. Over 25 years of making music and nearly a dozen releases, guitar rock has remained the band's core sound. But the moods and narratives, the production and frontman Rivers Cuomo's singing style have all shifted so dramatically with each album that it's sometimes hard for some fans to make sense of it.

It'd been more than three years since Tune-Yards released new music, but the singer and multi-instrumentalist Merrill Garbus is back, now as a duo with Nate Brenner. Her new single is a sonic thrill ride called "Look At Your Hands," and it's from her just-announced album, I Can Feel You Creep Into My Private Life (out Jan. 19). Garbus says the new song is a meditation on the mess she feels the world is in and how various political and cultural -isms manifest themselves within her.

The best film scores walk a delicate line: They help propel the story, guide an audience's emotions and are also often a distinct character, with a role and voice as important as any actor's — but they also have to do all that without getting in the way, or drawing too much attention.

It's not unusual for film composers to make music out of organic sounds found in or related to the movie. Take Nathan Johnson's stunning Looper score which was built on a foundation of sampled clicks and pops that captured the film's steampunk creakiness. Or, more elementally, the typewriter rhythms Mark Mothersbaugh used for his Royal Tenenbaums score, emulating the film's anachronistic storytelling themes.

Sufjan Stevens is sharing a rare outtake he recorded while making his 2015 album Carrie & Lowell. The song, "Wallowa Lake Monster," is one of several previously unreleased tracks included in an upcoming collection of remixes, demos and alternate versions of songs from that period.

What songs – no matter how good or how adored they are – have been played to death and need to be removed from the canon? What songs are beyond reproach – songs so perfect and sublime they're given a free pass to remain in heavy rotation forever?

Tell us what you think. Below are ten suggestions; tell us if they should be retired or if they're simply untouchable. At the end of the poll you can also write-in your own picks.

NOTE: This poll has closed.

It's hard to record a show like ours in the wake of a tragedy as profound as what happened in Las Vegas this past Sunday. But we hope the music we're sharing this week gives you time to reflect and, if needed, escape. One thing we know: Songs, in times like this, often take on new meaning.

Anyone who's seen Torres perform live (or listened to her 2015 sophomore Sprinter) knows what a confrontational force she is. She quietly rages, maybe seethes, on stage, with the kind of intensity that can leave fans both rattled and transfixed. It's like watching storm clouds rise and darken, captivated by their beauty while knowing that at any moment they could swirl out of control and turn into a full-blown cyclone.

Protomartyr doesn't make music for the casual listener. Over the course of four full-length albums, the Detroit-based band has produced a collection of lyrically dense, deeply philosophical (and usually very loud) songs that grapple with some of life's thorniest questions: What does it mean to be human? What is truth? What is the nature of good and evil?

Protomartyr lead singer and lyricist Joe Casey is, to say the least, a seeker — an existential traveler in search of a higher state of consciousness and meaning in an often callous, senseless world.

Composer Hans Zimmer and Radiohead have teamed up to reimagine the band's song "Bloom," taken from 2011's The King of Limbs. The new version, much slower and sparer than the original, has been retitled "ocean (Bloom)" and was recomposed to soundtrack the upcoming BBC documentary Blue Planet II.

Radiohead shared a trailer with the music this morning on Twitter.

"Open your mouth wide," sings Radiohead frontman Thom Yorke over stunning, underwater footage of sea life. "The universal sigh / And while the ocean blooms / It's what keeps me alive."

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