Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

Most years, Tom Huizenga and I spend a lot of time after Thanksgiving and well into December battling over — or, more truthfully, having many friendly but spirited discussions about — which recordings should comprise our 10 favorites of the year. We each come up with a list of 10, and then we start hammering things out in some amount of exquisite music-nerd agony. Some albums we agree upon, some are our individual picks.

Don't ask the members of the Dublin Guitar Quartet to play the time-honored classics of the Spanish repertoire. They might play traditional Spanish style classical guitars, but they're not your standard guitar ensemble. The Dubliners are strictly devoted to contemporary music. They've been commissioning new pieces and adapting others for both acoustic and electric guitars since 2002, when the group formed at the Dublin Conservatory of Music and Drama.

Mix a bit of yodeling with Tuvan throat singing, add in a pinch of Sardinian cantu a tenore, fold in compositions from cutting-edge composers and you have the vocal group Roomful of Teeth.

In November 1814, Col. Andrew Jackson marched on Pensacola, taking the Florida city away from Britain and Spain, while the Congress of Vienna was busy drawing new boundaries after the Napoleonic Wars. And 200 years ago today, in a little 10th-century town south of Brussels, Adolphe Sax was born.

Sax learned instrument-building from his father and soon was inventing new instruments of his own, including the one that bears his name. He patented the saxophone in 1846.

Where would Halloween be without ghosts — those wispy spirits either friendly or fiendish in disposition? They've haunted our consciousness for ages, thanks to appearances in visual art, literature, film and music. And now they've overrun this puzzler. From country and classical to rock and jazz, ghosts glide through these songs. Some are nice, others nefarious. Score high and allow yourself to be treated today. Score low and consider yourself tricked.

An abundance of facial hair is not restricted to the sensitive male indie-rocker set. Three of the four players in the Danish String Quartet could easily pass for hipster Brooklyn beard farmers. "We are simply your friendly neighborhood string quartet with above average amounts of beard," the group's website says.

Yet what's really important about the ensemble is how they play — and judging from this performance behind Bob Boilen's desk, these Nordic lads possess warmth, wit, a beautiful tone and technical prowess second to none.

Denmark may be small — smaller than West Virginia — but its musical impact is disproportionately big. Since the late 19th century, some of the best symphonists have hailed from the Scandinavian country, and though they may not be household names in the U.S., their works have influence far beyond their homeland.

A few weeks ago, in an act of brazen thievery, your devoted NPR Classical hosts appropriated an idea from our colleague Bob Mondello, NPR's film critic. Each Friday he tweets movie suggestions for the weekend.

The votes are in. The people of Scotland have chosen to remain in the United Kingdom. To mark the historic occasion, a wee reminder of what the Scots have contributed to classical music is in order.

Today is Mexican Independence Day. On Sept. 16, 1810, the Grito de Dolores ("Cry of Dolores") was delivered in the town of Dolores near the city of Guanajuato, marking the beginning of the Mexican War of Independence that ended Spanish rule.

Alas, it is déjà vu all over again for the Atlanta Symphony Orchestra. At midnight Saturday, the ASO musicians and management failed to meet the deadline to agree on a new contract after eight months of negotiations. That means the players, while still employees of the orchestra, are effectively locked out of the Woodruff Arts Center (the orchestra's home) and will not receive paychecks until a new agreement can be ratified.

Musicologist and pianist Charles Rosen once quipped: "The death of classical music is perhaps its oldest continuing tradition." But it's tough to see much gloom when faced with the diversity of premieres and provocative programming around the country in the 2014-2015 season.

Three centuries ago a man named Domenico Scarlatti churned out an enormous number of keyboard sonatas — more than 550. Pianists, harpsichordists and even accordionists still can't get enough these inventive, bite-sized pieces.

A clutch of Scarlatti albums have appeared this year and more are on the way. Albums from pianists Orion Weiss and Igor Kamez are due in the coming weeks. Here we offer a sampling of five recent releases.

Well, it's happened again. Vacations are over. Kids are returning to school. "And where," you're wondering, "did my summer go?"

You can get the same feeling in music sometimes. No matter how long a piece is, its end might sneak up on you. Try this mysterious little quiz filled with fantastical finales and enigmatic endings. Score high and take an extra week off from work. Score low and get back to the grind.

Now that the embattled Metropolitan Opera has surmounted most of its labor squabbles, it's time to take a break from reading about the rancorous negotiations. See how many of these nerdworthy Met questions you can answer. Score high and bellow out your best Wagnerian "Hojotoho!" Score low and start learning the "Simpleton's aria" from Boris Godunov.

With this Tiny Desk Concert by the Grammy-winning Pacifica Quartet, we have the opportunity to explore the world of a single composer. With the arguable exception of Béla Bartók's six string quartets, it's generally accepted that the 15 by Dmitri Shostakovich are the strongest body of quartets since Beethoven.

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