Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

The album might be called In the Light of Air, but it's anything but conventionally light or airy. Instead, this rumbling, evocative music by composer Anna Thorvaldsdottír seems grounded deep in the beautifully austere landscapes of her native Iceland. Don't listen too hard for hummable melodies. While there are flashes of lyrical writing, the composer excels at weaving sound textures together to create distinct atmospheres.

'Summertime' In Hanoi

Aug 11, 2015

Summer might be winding down, but you couldn't tell by the steamy temperatures, not only in much of the U.S. but also in Hanoi, where Vietnamese performer and composer Vân-Ánh Vanessa Võ grew up — and where it should top out around 92 degrees today.

When Gustav Mahler said a symphony "must be like the world. It must embrace everything," I suppose he meant embracing accordions, too.

Gustav Mahler's sprawling Ninth Symphony is a 90-minute journey brimming with the joys of life, haunted by death and with a lot happening along the way. Accordionist William Schimmel has squeezed this immense musical canvas down to just 6 1/2 minutes. That takes some guts.

Calling all design geeks and fans of cool album art! Check out this thing we made.

It tells the story of graphic designer Denise Burt and her album covers. Read about her process, see the art — and hear the music that inspired her.

Shortly after Burt moved to Copenhagen in 2000, she landed a job creating album covers for Denmark's Dacapo Records. Trouble was, she didn't know a thing about the contemporary classical music the label specialized in.

Ivan Moravec, a Czech pianist known for his lyrical and selfless approach to music, died Monday in a Prague hospital, according to a management representative, Linda Marder of CM Artists in New York. Moravec had been treated for pneumonia. He was 84.

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Ethel Smyth was not your typical Victorian lady. She defied her father, a stern army general, to pursue a career in music. She loved women, played sports and played an important role in the women's suffrage movement in Britain in the early 20th century. Along the way she composed chamber and orchestral music, an acclaimed Mass and six operas.

Iceland might be small and isolated but the country's music scene is substantial, resonating far beyond the island nation. One Icelandic group that thrives on both new and old classical music is Nordic Affect. Formed in 2005, the quartet of women is equally at home playing 17th century dance music and newly commissioned works like Clockworking, the title track from its forthcoming album.

Artistic revolutions are rarely born easy. They complained about cubism, they grumbled about the "talkies" — and boy, did they bellyache over Wagner's trailblazing operas, especially Tristan und Isolde, which debuted 150 years ago Wednesday.

"Quirky" is a descriptor that seems to have stuck to Danish composer Carl Nielsen, born 150 years ago on June 9, 1865.

We rarely invite Tiny Desk alumni back to the confines of Bob Boilen's work space, but we couldn't resist this time. Harpist Yolanda Kondonassis and Grammy-winning guitarist Jason Vieaux have both given solo Tiny Desk performances. Since then they've paired up for concerts and a new album of works composed especially for their combination of instruments.

May is international drum month! To celebrate, we bring you a discussion in percussion with a group of guys who will bang on almost anything (including a cactus). The members of Sō Percussion are the guest quizmasters for this week's Drum Fill Friday.

In his new memoir, Words Without Music, Philip Glass tells the story of how he slugged a man in the jaw in Amsterdam. At a concert, a quarrelsome audience member climbed onto the stage and began banging on the composer's keyboard. That was in 1969, when Glass' repetitious, slowly evolving music fell on many ears like a needle stuck in the groove of a record.

For more than half of his 32 years, Lang Lang has been in the spotlight, as an international star and arguably the most crowd-pleasing classical pianist on the planet. From venues as diverse as the Beijing Olympics and Brazil's World Cup to New York's Central Park and Stockholm's Nobel Prizes, Lang Lang routinely crisscrosses the globe playing to innumerable masses. Last month he filled London's cavernous Royal Albert Hall two nights in a row.

Twenty years ago, pianist András Schiff did not hide his disdain for the fortepiano — the smaller, quieter precursor to the modern grand piano. In the liner notes of five separate Schubert albums Schiff released in the early 1990s, he wrote: "Schubert's piano music has luckily not been discovered yet by specialists playing copies of Graf fortepianos."

Spring finally seems to have arrived with an abundance of flowers. In the old poem, it's April showers that bring May flowers. But in opera, flowers pop up for a variety of reasons, and not all of them are pretty. While operatic flowers can be enjoyed for their beauty, their allure can also spell trouble. This springtime fleurs de l'opéra puzzler includes some lovely blossoms you might not want to sniff. Score high and come out smelling like a rose. Score low and feel yourself wilt with inadequacy.

Trumpeter Rolf Smedvig, praised for his beautiful tone and virtuosic style, died Monday afternoon at his home in West Stockbridge, Mass. The cause of death, according to his long-time manager Mark Z. Alpert, was a heart attack. Smedvig was 62.

Life changed a lot after that day in 1877 when Thomas Edison spoke "Mary had a little lamb" into a contraption he called a phonograph and discovered he could reproduce sound. Back then, tinfoil cylinders captured just a few flickering moments. Today Wagner's entire Ring cycle fits on a 16GB flash drive.

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